Online courses directory (4179)

Nick shows a video of a motion capture technique used in the latest video games. He stresses the need for such innovatio

Learn about the ethics and policy issues that arise in the science and application of synthetic biology, from bioremediation to medicine.

The study of structures and mechanisms in static equilibrium.

Statics is the study of methods for quantifying the forces between bodies. Forces are responsible for maintaining balance and causing motion of bodies, or changes in their shape. You encounter a great number and variety of examples of forces every day, such as when you press a button, turn a doorknob, or run your hands through your hair. Motion and changes in shape are critical to the functionality of man-made objects as well as objects the nature. Statics is an essential prerequisite for many branches of engineering, such as mechanical, civil, aeronautical, and bioengineering, which address the various consequences of forces. This course contains many interactive elements, including: simulations; “walk-throughs” that integrate voice and graphics to explain a procedure or a difficult concept; and, most prominently, computer tutors in which students practice problem solving with hints and feedback. This course uses algebra and trigonometry and is suitable for use with either calculus- or non-calculus-based academic statics courses. Completion of a beginning physics course is helpful for success in statics, but not required. Many key physics concepts are included in this course.

Effective writing skills are important for you to succeed in your studies at the collegiate level, as well as for your future career. This course is designed to improve your writing ability, which is necessary for entrance into English Composition 1, as well as for your ongoing success in other academic subjects. Pre-College English coursework focuses on active reading and analytic writing, with emphasis on organization, unity, coherence, and adequate development; an introduction to the expository essay; and a review of the rules and conventions of standard written English. In Unit 1, you will learn the basics of active reading and how active reading is paramount in your success as a student and beyond. You will also learn how to identify the main idea in a piece of literature, and how to create a topic sentence that conveys the main idea in your own writing. You will discover the benefits of prewriting, and will learn prewriting techniques that can be used at the onset of any writing project. In Unit 2, you…

No matter what career you pursue, you must be able to communicate effectively and clearly if you want to be successful.  This course will enhance your ability to do so by sharpening your critical thinking and writing skills.  We will begin with a unit designed to change the way in which you think about writing.  First, you will learn to think of writing not as a solitary act but as a conversation between yourself and an audience.  In this light, writing becomes a dynamic, interactive, and creative rather than a rote practice.  You will also begin to value writing as a process an admittedly difficult one  rather than a product.  You will come to see that writing is an act of discovery rather than a recitation of prefabricated ideas. Because this course is designed specifically for students in a university setting, the second unit will focus on academic writing.  We will learn how to respond to an assignment or test question by using the “PWR-Writing” or “Power-Writing” Method (PWR: Pre-write…

The ability to research topics and incorporate information from your sources into your work is an important skill both in college and on the job.  This course will reinforce the concepts you practiced in English Composition I by introducing you to basic research concepts and techniques.  It will also give you a chance to put these new concepts and techniques to work as you develop a final research paper.  We will begin by looking at how to build research into an effective writing process.  First, you will learn to think of researching not as a requirement for getting a good grade on a paper but as a valuable tool that can make your writing more powerful and convincing.  You will learn how to build research into your writing process so that you can add persuasive power to your finished work.  Through rigorous practice of the fundamental techniques, you will come to see that, like writing itself, research is an act of discovery rather than a search for prefabricated ideas. The intent of this course is t…

This course will introduce you to the history and practice of English as a scholarly discipline with the goal of preparing you for your future endeavors as an English major. It has been designed to familiarize you with the various tools that scholars have devised in order to facilitate the study of literary expression in English, from critical frameworks to close reading techniques. After an introductory unit outlining basic approaches to literary analysis, we will embark upon a genre study, devoting each of the four remaining units to a different genre of writing: poetry, the novel, drama, the rhetorical essay, and the critical essay. In each of these units, we will review a general history of the genre, read a representative sample or set of samples, learn genre-specific critical terms and theories, and apply what you have learned to essays of your own. By the end of this course, you will have developed strategies that will enable you to understand, analyze, and critically respond to works in any genre at a…

The medieval period, or the Middle Ages, spans about a thousand years between the fall of the Roman Empire, which occurred around 500 CE, and the beginning of the European Renaissance, which was a bit later in England around 1500 CE. The idea of a period called the Middle Ages was a product of later thinkers who contrasted the explosive creativity and cultural transformation of the Renaissance with the seemingly subdued work of earlier centuries. Many saw this earlier period as less intellectually and culturally valuable. It is worth noting that contemporary historians often refer to the Renaissance as the Early Modern. The ideas, values, and tastes of this period are more in alignment with our own, and it is easy to appreciate and identify with them more than with those of earlier times. Nonetheless, the Middle Ages produced artistic works that not only reveal the culture and thought of that age, but also link strongly with artistic representations from later ages, including our own. Many fundamental ideas…

At the outset of the 16th century, Europeans tended to dismiss English literature as inferior to continental literary traditions; the educated Englishman was obliged to travel to the continent and speak in other languages in order to “culture” himself.  By the end of the Renaissance, however, some of the greatest works in the English languagefrom Shakespeare’s dramas to Thomas More’s Utopiahad been written.  In this course, we will read and examine these works, situating them within their socio-historical and literary contexts, while attempting to determine how the art of English language and letters came into its own during this dynamic period. We will begin with an overview of European history during the centuries leading up to the Renaissance in order to acquaint ourselves with the profound cultural and social changes brought about by the Italian Renaissance, the Protestant Reformation, nationalism/colonialism, and the growing power of the middle class.  We will then embark upon a genre study,…

Scholars tend to label the period between the Renaissance and the modern era as the long 18th and 19th centuries, meaning that they span from around 1680 - 1830 and 1775 - 1910, respectively, and that so many literary movements and cultural changes took place during these interim years that a narrower title is difficult to come by. In this course, we will examine these formative cultural and literary developments chronologically, dividing the course into four roughly sequential periods: The Enlightenment and Restoration Literature; The Rise of the Novel; Romanticism; and the Victorian Period. We will identify and contextualize the principal characteristics of each of these movements/periods, reading representative texts and examining their relationship to those texts that preceded or were contemporaneous with them. As such, this course foregrounds the movement, the changes, and the continuities from the neoclassicism of authors such as John Dryden and Alexander Pope through the emergence of the novel in th…

From Friedrich Nietzsche’s shocking pronouncement in the late 1800s that “God is dead” and that “we have killed him” to Vladimir Nabokov’s convention-challenging fiction, the Modern periodspanning roughly the end of the 19th century to the presentoffered a range of provocative and often cynical cultural and literary productions.  In this course, we will work to develop a more nuanced understanding of the scope of cultural and literary expression in the late 19th and the first half of the 20th centuries and a working definition of what the vacuous-sounding term “modernism” might mean.  We will attend to broad socio-historical happenings, from the birth of modernism in the late 19th century to the radical violence of the World Wars and the tragedy of the Holocaust and arrive at the post-modern moment, our post-colonial and technologically and economically globalized village.  While offering this historical context, the course focuses on the cultural and literary movements from the “art for…

This course will introduce you to the field of literary theory, a central component of contemporary studies in English and world literature. As you progress through this course, you will gain knowledge of the various premises and methods available to you as a critical reader of literature. You will identify and engage with key questions that have animated - and continue to animate - theoretical discussions among literary scholars and critics, including issues pertaining to ideology, cultural value, the patriarchal and colonial biases of Western culture and literature, and more. The structure of this course is historically based, arranged as a genealogy of theoretical paradigms, beginning in the early 20th century - when literary theory first developed as a formal discipline - and following the evolution of literary theory into the present day. From text-centric Russian formalism to contemporary gynocriticism and trauma theory, you will explore the basic principles and preeminent texts that have defined many o…

Many consider William Shakespeare the greatest dramatisteven the greatest writerof all time.  His impact on Western culture and language is unmistakable, but his works have also been continuously read and performed around the world, illustrating his global significance.  Over the course of this semester, we will attempt to determine why his works have become so widely revered, or why they seem, to quote Ben Jonson, “not for an age, but for all time.” We will begin by familiarizing ourselves with Elizabethan theatre, language, and culturethe world in which Shakespeare lived and breathed.  We will then conduct close readings of a number of Shakespeare’s most acclaimed plays, progressing through his dramatic works by categorizing them in three groups: comedies, tragedies, and histories.  Finally, we will turn to some of his poetry, which Shakespeare (perhaps surprisingly) considered superior to his plays.  By the end of this course, you will have developed a strong understanding of Shakespeare’s w…

In this course, we will study the poetry of John Milton, focusing not only on the texts themselves, but also on the various contexts that are relevant to Milton’s oeuvre, from the tumultuous political and religious period in which Milton lived to the literary network with which his texts interact. We will also take a close look at the man behind Paradise Lost, a man who brazenly announced, relatively early in his poetic career, that he would pen a great epic in the classical tradition. Who was John Milton, and how did he manage to accomplish this goal? Though Milton has gone in and out of literary favor since his death in 1674 (Romantic poets greatly valued his formal techniques as well as his figuration of Hell, while Modernists like T.S. Eliot scowled at his bookish, Puritan austerity), there is no question that Milton’s works shaped the face and the future of English poetry, as well as contemporary books, film, and culture. By the end of this course, you will possess a comprehensive understanding of Mi…

What makes a novel “Gothic”?  Scholars have debated this question for decades: some consider “the Gothic” a literary time period, spanning from the 1760s to 1820; others view it as a set of thematic concerns; still others understand it as a literary mode, in which contemporary authors like Stephen King continue to write.  In this course, you will explore these and other definitions as you read a number of novels (and have the option to screen a film), attempting to define for yourself the term “Gothic.”  You will supplement your studies with critical literature on the Gothic novel and literary mode, critiquing and adapting the approaches and theories as you see fit. You will begin the course with an overview of approaches to the literary Gothic and an outline of its stereotypical characteristics and elements.  You will then progress through the course by examining Gothic novels (and an optional film) in three thematic categories (which, as you will see, often overlap): Gothic Spaces, the Monst…