Courses tagged with "Chemokines" (562)

Have you ever wondered about how museum, library, and other kinds of historical or scientific  collections all come together? Or how and why curators, historians, archivists, and preservationists do what they do?

In Tangible Things, you will discover how material objects have shaped academic disciplines and reinforced or challenged boundaries between people. This course will draw on some of the most fascinating items housed at Harvard University, highlighting several to give you a sense of the power of learning through tangible things.

By “stepping onto” the storied campus, you and your fellow learners can explore Harvard’s astonishing array of tangible things—books and manuscripts, art works, scientific specimens, ethnographic artifacts, and historical relics of all sorts. The University not only owns a Gutenberg bible, but it also houses in its collections Turkish sun dials, a Chinese crystal ball, a divination basket from Angola, and nineteenth-century “spirit writing” chalked on a child-sized slate. Tucked away in storage cabinets or hidden in closets and the backrooms of its museums and libraries are Henry David Thoreau’s pencil, a life mask of Abraham Lincoln, and chemicals captured from a Confederate ship. The Art Museums not only care for masterpieces of Renaissance painting but also for a silver-encrusted cup made from a coconut. The Natural History Museum not only preserves dinosaur bones and a fish robot but an intact Mexican tortilla more than a century old.

In the first section of the course, we will consider how a statue, a fish, and a gingham gown have contributed to Harvard’s history, and you will learn the value of stopping to look at the things around you.

In the next section, we will explore some of the ways people have brought things together into purposeful collections to preserve memory, promote commerce, and define culture.

Finally, we will consider methods of rearranging objects to create new ways of thinking about nature, time, and ordinary work.

Along the way, you will discover new ways of looking at, organizing, and interpreting tangible things in your own environment.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Understand the impact of technology on sustainability and society, using relevant historical examples and current issues in the news, and gain insight on the cultural frameworks within which ideas such as sustainability and different technologies are understood and evolve. You’ll also explore emerging technologies from the Industrial Revolution through present day, leading to a future that will be complex and challenging, and in many ways look like science fiction.

This 3 credit hour course satisfies the Humanities, Arts and Design (HU) general studies requirement at Arizona State University. This course may satisfy a general education requirement at other institutions; however, it is strongly encouraged that you consult with your institution of choice to determine how these credits will be applied to their degree requirements prior to transferring the credit.

The meteoric rise of technologies used in our everyday life for profit, power, or improvement of an individual's life can, on occasion, cause cultural stress as well as ethical challenges. In this course, we will explore how these multifaceted impacts might be understood, controlled and mitigated.

Technology innovation can be a great enabler for development in low and middle-income countries. This course presents a methodology and an approach to develop impactful innovations that have the power to foster sustainable development.

Whether you are from an industrialized or a developing country, whether you are employed in a company, an NGO, an international organization or a government. Whether you are an academic, an independent entrepreneur, or simply a passionate individual, this course is for you.

You will learn how, as an innovator, you can help solve important issues that burden those living in poverty.

Through practical examples, we will demonstrate how you can take your initiative from a blank sheet of paper through to large-scale deployment of your technology innovation.

This course is not just about coming up with a nice idea, or designing a nice prototype, but more importantly, about sustainably deploying it at large scale.

It fosters an entrepreneurial approach, as you will learn how to design business models that are relevant to address development-related challenges. It encourages co-creating the solution with the key stakeholders involved, including the affected populations.

Coming-up with solutions that are more affordable and more durable, that require less use of consumables and electricity while still being economically viable, concerns all of us, and not just the people living in poverty.

There is no previous knowledge required.

El curso “Tecnologías web emergentes para la enseñanza virtual” está orientado a que conozcas las tecnologías web emergentes que están revolucionando la enseñanza virtual, así como las herramientas web 2.0 que se pueden aplicar en el área educativa o de capacitación.

El contenido se desarrolla en una serie de temas entrelazados y dosificados en 6 lecciones, en las que aprenderás a utilizar las diferentes herramientas web de una forma sencilla y dinámica elaborando recursos educativos virtuales. También te brindamos una serie de estrategias y metodologías para la integración de estos recursos de una forma adecuada y eficiente al proceso de enseñanza-aprendizaje en entornos digitales.

Todas las lecciones incluyen materiales audiovisuales, material de apoyo, actividades prácticas y foros de discusión para formar y promover una comunidad activa de aprendizaje.

Este curso forma parte del programa de MicroMasters “e-Learning: crea actividades y contenidos para la enseñanza virtual” diseñada con el propósito de desarrollar en los participantes  las habilidades y competencias necesarias para la implementación de entornos de aprendizaje innovadores apoyados por las TIC's. Al inscribirte en este programa de MicroMasters te daremos acceso a un área de descarga especial, en la cual encontrarás plantillas (predefinidas) de las principales herramientas presentadas en los cursos, guías de mejores prácticas y vídeos complementarios con entrevistas de reconocidos expertos a nivel internacional, que comparten su experiencia y conocimiento en el campo de la educación apoyada por tecnología, el diseño y producción de recursos multimedia.

Terrorism has gone from a persistent yet marginal security concern to one of the most important security problems of our day. There are few countries that do not suffer from some form of terrorism. Though many attempts at terrorism fail, some groups wage lengthy and bloody campaigns and, in exceptional cases, kill hundreds or even thousands in pursuit of their ends.

This course on terrorism will explore the nuances involved in defining terrorism, the nature of Al Qaeda, Hamas, the Islamic State, and other important groups, the effectiveness of different counterterrorism tools, terrorist recruiting, counterterrorism and the rule of law, the political context in South Asia and the Middle East, and the terrorist use of technology.

For those interested in an abbreviated version of this course, the 3-section course Terrorism and Counterterrorism: An Introduction is available here.

Terrorism has gone from a persistent yet marginal security concern to one of the most important security problems of our day. There are few countries that do not suffer from some form of terrorism. Though many attempts at terrorism fail, some groups wage lengthy and bloody campaigns and, in exceptional cases, kill hundreds or even thousands in pursuit of their ends.

This course on terrorism will explore the nuances involved in defining terrorism, the nature of Al Qaeda, the Islamic State, and other important groups, the effectiveness of different counterterrorism tools, terrorist recruiting, counterterrorism and the rule of law, the political context in the Middle East, and the terrorist use of technology.

For those interested in a more extended version of the course, the full 7-section course Terrorism and Counterterrorism is available here.

This course gives an introduction into the field of terrorism & counterterrorism studies. It will help you to analyze and understand these complex phenomena and discuss its impact on society with a global audience.
Students, policy makers, journalists or anyone with a strong interest in understanding issues like the history, origins and nature of terrorism, security, fear management, resilience, politics, violence, foreign fighters and radicalization will find the course most relevant.

This is a course about addiction to drugs and other behaviors. It will describe what happens in the brain and how this information helps us deal with and overcome addiction. It will also discuss other topics such as government policy and our vulnerability to take drugs.

What is the American Renaissance? How did Dartmouth help foster the formation of the American Renaissance and its reevaluation and reinvention in the twentieth? Why should we, as twenty-first century readers, concern ourselves with this literature?

Join a hybrid community of learners, both online and in residence at Dartmouth College, as we discover how to discern the historical turning points involved in the production and transmission of American Renaissance writings. We will conceptualize the role historical and affective turning points continue to play in the selection, interpretation and valuation of these writings.

Together we will propose continuities and discontinuities between these historical literary works and the present. Along the way we will construct global and temporal mappings between a set of seemingly disparate locations, myths, and traditions.

Join us in a discussion of the work of Nathaniel Hawthorne, Harriet Beecher Stowe, Herman Melville, Frederick Douglass, Ralph Waldo Emerson, Walt Whitman, and Mark Twain as we explore literary, political and historical context, their desire to create a distinctively national literature, and the ongoing controversy over the local, national, and transnational significance of this literature.

From small farms to urban neighborhoods, from the region itself to the more distant worlds of the southern diaspora, we discover the stories, music, and art of the American South.

Explore what it means to be human today by studying what it meant to be a hero in ancient Greek times.

In this introduction to ancient Greek culture and literature, learners will experience, in English translation, some of the most beautiful works of ancient Greek literature and song-making spanning over a thousand years from the 8th century BCE through the 3rd century CE: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; dialogues of Plato, and On Heroes by Philostratus. All of the resources are free and designed to be equally accessible and transformative for a wide audience.

You will gain access to a supportive learning community led by Professor Gregory Nagy and his Board of Readers, who model techniques for “reading out” of ancient texts. This approach allows readers with little or even no experience in the subject matter to begin seeing this literature as an exquisite, perfected system of communication.

No previous knowledge of Greek history, literature, or language is required. This is a project for students of any age, culture, and geographic location, and its profoundly humanistic message can be easily received without previous acquaintance with Western Classical literature.

1. Honor code statement 

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

2. Research Statement 

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

3. Nondiscrimination/Anti-harassment Statement

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is subjected to discrimination or harassment in our program. Furthermore, no member of the community shall be excluded from participation in or denied the benefits of our program due to discriminatory practices or policies. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. Participants who violate the policies preventing discrimination and harassment will face corrective action, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

This is a survey of ancient Greek history from the Bronze Age to the death of Socrates in 399 BCE. Along with studying the most important events and personalities, we will consider broader issues such as political and cultural values and methods of historical interpretation.

This course examines the development of the art and architecture of the cultures of ancient Nubia through what we have learned from archaeology and how that evidence has helped us create the picture we now have of the culture and history of the birth and development of art and civilization in the Nile Valley.

Poetry lives in any reader, not necessarily in performance by the poet or a trained actor. The pleasure of actually saying a poem, or even saying it in your imagination—your mind’s ear—is essential. That is a central idea of “The Art of Poetry,” well demonstrated by the videos at favoritepoem.org: the photographer saying Sylvia Plath’s “Nick and the Candlestick,” the high school student saying Langston Hughes’ “Minstrel Man.” Those readers base what they say about each poem upon their experience of saying it.

The course is demanding, and based on a certain kind of intense reading, requiring prolonged, thorough— in fact, repeated—attention to specific poems.

The focus will be on elements of the art such as poetry’s historical relation to courtship; techniques of sound in free verse; poetry and difficulty; kidding and tribute—with only incidental attention to “schools,” jargons, categories, and coteries.

Learners are encouraged to think truly, carefully and passionately about what the poem says, along with how the poem feels in one’s own, actual or imagined voice. As Robert Pinsky says, in the Preface to Singing School: “this anthology will succeed if it encourages the reader to emulate it by replacing it . . . create your own anthology.” In a comparable way, this course hopes to inspire a lifelong study of poetry.

How and why was the Bible written? Drawing on the latest archeological research and a wide range of comparative texts, this course synthesizes fascinating recent research in biblical studies and presents a powerful new thesis: Facing catastrophic defeat, the biblical authors created a new form of community—what today we would call "peoplehood." Their achievements bear directly on modern questions of politics, economics, and theology.

Do you love printed paper and wonder how much longer it will survive in the age of ebooks? Are you curious about how the mass-produced modern book emerged in the first place?  Come behind the scenes in Harvard’s libraries to explore the look, feel and even smell of nineteenth-century British and American books in this module of The Book: Histories Across Time and Space.

In 19th-century Britain and America, schooling expanded, paper cheapened, and new technologies allowed print to reach wider audiences than ever before.  After the rare and beautiful manuscripts and books showcased by earlier modules, the mass-produced, disposable objects that survive from the nineteenth century bear witness to the rise of the reading public.

This module investigates what scholars know about nineteenth-century reading, as well as how they know it.

This module’s six sections guide you through underlined, inscribed, defaced and repaired books in Harvard’s collections:

1. Name That Book
Find out what you can tell about a book when you’re blindfolded.

2. Handheld Books and Mobile Readers
What book did one soldier carry to Civil War battlefields in his pocket? (Hint: it’s not what you think.)

3. The Pen and the Needle
Did 19^th-century girls have to choose between sewing and reading?  The holes pricked in one book suggest they did both at once.

4. Leaving your Mark
Luckily for future historians, these children didn’t listen when people told them not to write in their books.

5. Detective Work
Try out some tools that build on what you’ve learned about books at Harvard to discover the stories hidden in your local library.

6. Over to You
Your chance to share what you have found in the books around you.

Join us, and discover how people in the first information age read, underlined, and repaired the pages that they treasured. 

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

When we think of liturgy today, we imagine short, formal, congregational events happening periodically within the confines of churches. Medieval liturgy, however, took up many hours of every day, filled the city's largest meeting halls, and even spilled onto the streets. At the center of the medieval liturgy were the books we will study in this course.

In this module of The Book: Histories Across Time and Space, we’ll explore and explain the beautiful service books of the medieval church. No prior knowledge of liturgy or Latin is required, but there will be a lot of both, along with music.

The medieval services consisted of a complex system of cycles, and the liturgical books correspond to the various functions of the people who used them: Laypersons, nuns and monks, readers, singers, priests, and bishops.

We will explore and examine these precious objects using materials from Harvard’s collections. Close examination of various types of books will help to explain the complex and collaborative nature of medieval worship. Ultimately, we will learn how these beautifully adorned books  represent the importance of liturgy as an essential function of society in the Middle Ages.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

As books “go digital,” we can appreciate what is gained in terms of convenience, accessibility and interconnectedness. However, we should also consider what is lost as texts transition to a digital sphere.

This module of The Book: Histories Across Time and Space seeks to re-introduce learners to the codex – a handwritten and hand-constructed book - as a three-dimensional object whose characteristics produce meaning in the experience of the reader.

This module is designed to walk you through the process of making a medieval manuscript. Using a wide variety of examples from the collections of Harvard’s Houghton Library, it will familiarize you with basic terms and concepts and give you a “feel” for the shapes, sizes, formats, materials and considerations of craft that went into the making of the book as we know it.

Throughout the Middle Ages there existed an intimate relationship between making and meaning. Codices were tactile as well as visual objects designed to engage multiple senses. In the illuminated manuscript, it is often impossible to distinguish neatly between text and image; rather, letters assume imagistic forms and images take the form of letters.

Bookmakers were sensitive to the interplay of materials, from the parchment of the pages to the wooden boards, designed to protect the contents. Each of these elements conditioned a reader’s interaction with the book. Bookmaking required a significant material investment. The production process was laborious and lengthy, involving many separate stages and craftsmen.

Books participated in a wide range of ritual, liturgical, devotional, educational and practical contexts, each of which in turn conditioned the presentation and reception of both their form and content.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Medieval Europe has preserved enormous quantities of books and documents—many millions of pages, in fact—written in Latin and other languages. However, only a tiny percentage of these texts have been edited and published. To gain access to the rest, you need to learn the art and science of reading medieval handwriting,

This module of The Book: Histories Across Time and Space introduces students to the world of medieval paleography, the science of reading old handwriting. This particular module focuses on notarial handwriting from the city of Marseille in the 14th and 15th centuries. The module features household inventories, which identify some of the fascinating objects found in people’s houses. Assessments and quizzes will allow you to track your progress as you move from letter-group to letter-group. In addition to learning the handwriting, we will take special care to explore some of the many abbreviations and other elements of the secular registers of the later Middle Ages.

Some knowledge of Latin or another Romance Language will be very helpful for understanding the texts you will read, but students without these language skills will still enjoy this chance to explore medieval handiwork.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.