Courses tagged with "Fine Arts" (252)

This course explores the 20^th-century history of the Middle East, concentrating on the Fertile Crescent, Egypt, Turkey, the Arabian peninsula, and Iran. We will begin by examining the late Ottoman Empire and close with the events of 9/11 and their aftermath. Readings will include historical surveys, novels, and primary source documents.

This course surveys the history of the Middle East, from the end of the 19^th century to the present. It examines major political, social, intellectual and cultural issues and practices. It also focuses on important events, movements, and ideas that prevailed during the last century and affect its current realities.

This course examines the history of the United States as a "nation of immigrants" within a broader global context. It considers migration from the mid-19th century to the present through case studies of such places as New York's Lower East Side, South Texas, Florida, and San Francisco's Chinatown. It also examines the role of memory, media, and popular culture in shaping ideas about migration. The course includes optional field trip to New York City.

The "Renaissance" as a phenomenon in European history is best understood as a series of social, political, and cultural responses to an intellectual trend which began in Italy in the fourteenth century. This intellectual tendency, known as humanism, or the studia humanitatis, was at the heart of developments in literature, the arts, the sciences, religion, and government for almost three hundred years. In this class, we will highlight the history of humanism, but we will also study religious reformations, high politics, the agrarian world, and European conquest and expansion abroad in the period.

Join the Smithsonian, and comic book industry legend Stan Lee, in this self-paced course to explore the history of the comic book and the rise of superheroes.

The ancient gods of Egyptian, Greek and Roman myths still exist, but today, they have superpowers, human foibles and secret identities. They come from comic books and graphic novels, and have taken over pop culture on the stage, screen, video games, and animation.

From Superman® and Spider-Man®, to The Avengers® and The Hulk® and beyond, who are these heroes? And, how have they evolved from folklore and myth, across all cultures and religions?

Learn from Smithsonian and industry experts including:

• Stan Lee, who was one of the creators of the modern superhero template. His early comics featuring Spider-Man, Iron Man®, The Hulk, Thor®, and The Avengers led Marvel to success. He continues to reinvent himself to create modern global superheroes and appear in cameos in superhero films and TV, such as Avengers: Age of Ultron.
• Michael Uslan, executive producer of top grossing, award winning movies, including The Dark Knight series, Lego® Movie, the animated Batman films and Batman® VS Superman.

In this self-paced course, we explore the following questions:

• Why did superheroes first arise in 1938 and experience what we refer to as their “Golden Age” during World War II?
• Why did the superhero genre ebb and flow in popularity over the decades?
• How have comic books, published weekly since the mid-1930’s, mirrored a changing American society, reflecting our mores, slang, fads, biases and prejudices?
• Why was the comic book industry nearly shut down in the McCarthy Era of the 1950’s?
• How did our superheroes become super-villains in the eyes of the government, clergy, educators, and parents of the mid-20th Century?
• When and how did comic books become acceptable again, and eventually become valid teaching tools in universities and schools?
• When and how did comic book artwork become accepted as a true American art form as indigenous to this country as jazz?
• Finally, when and how did comic books become “cool” and the basis for blockbuster movies, hit TV series, top-selling video games, and acclaimed animation, while also impacting fashion and style- and even the moral and ethical codes of children- around the globe?

The Smithsonian's National Museum of American History is excited to offer the opportunity to go into the collection and see why superheroes are a dominant cultural force in today’s world.

As you learn about how cultural myths, world events, and personal experiences shaped the first superheroes, you will apply these frameworks to create your own superhero– or you can choose to do a deeper analysis on existing comic book heroes. This original project is required for certification and anything created by you as part of this self-paced course is the intellectual property of you and you alone.

At last, fans, students and seekers of knowledge have the opportunity to enroll in the ultimate comic book course.

This course is an an exploration of British culture and politics, focusing on the changing role of the monarchy from the accession of the House of Hanover (later Windsor) in 1714 to the present. The dynasty has encountered a series of crises, in which the personal and the political have been inextricably combined: for example, George III's mental illness; the scandalous behavior of his son, George IV; Victoria's withdrawal from public life after the death of Prince Albert; the abdication of Edward VIII; and the public antagonism sparked by sympathy for Diana, Princess of Wales.

Drawing on new scientific advances, this religion course examines foundational questions about the nature of religious belief and practice.

The course is based on the idea that religion is a naturalistic phenomenon — meaning it can be studied and better understood using the tools of science. Religious belief and practice emerge naturally from the structure of human psychology, and have an important impact on the structure of societies, the way groups relate to each other, and the ability of human beings to cooperate effectively.

Topics to be covered will include traditional and contemporary theories of religion, with a special emphasis on cultural evolutionary models.
 

Production of this MOOC was partially funded by a Social Sciences and Humanities Research Council (SSHRC) of Canada Partnership Grant on ‘The Evolution of Religion and Morality’ (PI: Edward Slingerland), and represents one of this grant’s major knowledge mobilization and research dissemination initiatives.

This MOOC focuses on Spanish history between the Renaissance and Baroque periods—a time when the Spanish culture set the tone in the Western world.

The monarchy of this Spain created the first global empire of History. The greatest literary works of this period, including La Celestina, Lazarillo de Tormes, were immediately translated in the first European and American printing houses. Spanish fashion was the trendiest at the Courts of Early Modern Europe. Spanish military and political treaties set the standard for political machinations of the era.

In this period—between the 16th and 17th centuries—, Spain’s society achieved excellence in Arts and Literature. Exceptional and talented people such as Cervantes, Lope de Vega, Velázquez, were drawn to Madrid. Literary academies, theatre productions and celebrations flourished in other big cities of the Empire as Seville, Lisbon, Barcelona, Naples, Mexico, and Lima. A synthesis of nations united for the loyalty to the Crown and the Catholic faith. In our tour through the Spain of Don Quixote, we will discuss the relationship between fantastic to real geography. Society was polarized between the privileged—nobility and clergy—and the poor and rogues. Humanism was cultivated in universities. Family, food, housing, games, and celebrations played a part in everyday life.

In times of Don Quixote, the lights of Literature and Art geniuses shined upon the shadows of the Inquisition. Let’s travel to this sublime culture of Spanish Golden Age.

This subject examines the unique culture that developed in the United States after World War II. The dawn of the nuclear age and the ensuing Cold War fundamentally altered American politics and social life. It also led to a flowering of technological experimentation and rapid innovation in the sciences. Over the course of the term, students will explore how Americans responded to these changes, and how those responses continue to shape life in the US today.

This class offers a look into the last five hundred years of world history. Rather than attempt an exhaustive chronology of everything that has occurred on the globe since 1492 - an impossible task for a lifetime, let alone a single semester - we will be focusing on certain geographic areas at specific times, in order to highlight a particular historical problem or to examine the roots of processes that have had an enormous impact on the contemporary world.

This course surveys the increasing interaction between communities, as the barrier of distance succumbed to both curiosity and new transport technologies. It explores Western Europe and the United States' rise to world dominance, as well as the great divergence in material, political, and technological development between Western Europe and East Asia post–1750, and its impact on the rest of the world. It examines a series of evolving relationships, including human beings and their physical environment; religious and political systems; and sub-groups within communities, sorted by race, class, and gender. It introduces historical and other interpretive methodologies using both primary and secondary source materials.

This subject examines some of the many ways that contemporary historians interpret the past, as well as the multiple types of sources on which they rely for evidence. It is by no means an exhaustive survey, but the topics and readings have been chosen to give a sense of the diversity of work that is encompassed in the discipline of history.