Courses tagged with "Information control" (1404)

Together, this course and 8.06 Quantum Physics III cover quantum physics with applications drawn from modern physics. Topics covered in this course include the general formalism of quantum mechanics, harmonic oscillator, quantum mechanics in three-dimensions, angular momentum, spin, and addition of angular momentum.

8.06 is the third course in the three-sequence physics undergraduate Quantum Mechanics curriculum. By the end of this course, you will be able to interpret and analyze a wide range of quantum mechanical systems using both exact analytic techniques and various approximation methods. This course will introduce some of the important model systems studied in contemporary physics, including two-dimensional electron systems, the fine structure of Hydrogen, lasers, and particle scattering.

In this seminar we will examine various issues related to the intersection of race and gender in Asian America, starting with the nineteenth century, but focusing on contemporary issues. Topics to be covered may include racial and gender discourse, the stereotyping of Asian American women and men in the media, Asian American masculinity, Asian American feminisms and their relation to mainstream American feminism, the debate between feminism and ethnic nationalism, gay and lesbian identity, class and labor issues, domestic violence, interracial dating and marriage, and multiracial identity.

In this seminar we will examine various issues related to the intersection of race and gender in Asian America, starting with the nineteenth century, but focusing on contemporary issues. Topics to be covered may include racial and gender discourse, the stereotyping of Asian American women and men in the media, Asian American masculinity, Asian American feminisms and their relation to mainstream American feminism, the debate between feminism and ethnic nationalism, gay and lesbian identity, class and labor issues, domestic violence, interracial dating and marriage, and multiracial identity.

This course explores the ways in which various American artists view race and class as performed or performable identities. Discussions will focus on some of the following questions: What does it mean to act black, white, privileged, or underprivileged? What do these artists suggest are the implications of performing (indeed playing at or with) racial identity, ethnicity, gender, and class status? How and why are race and class status often conflated in these performances?

This course examines one of the most enduring and influential forms of identity and experience in the Americas and Europe, and in particular the ways race and racism have been created, justified, or contested in scientific practice and discourse. Drawing on classical and contemporary readings from Du Bois to Gould to Gilroy, we ask whether the logic of race might be changing in the world of genomics and informatics, and with that changed logic, how we can respond today to new configurations of race, science, technology, and inequality. Considered are the rise of evolutionary racism; debates about eugenics in the early twentieth century; Nazi notions of "racial hygiene"; nation-building projects and race in Latin America; and the movement in modern biology from race to populations to genes and genomes.

This seminar looks at key issues in the historical development and current state of modern American criminal justice, with an emphasis on its relationship to citizenship, nationhood, and race/ethnicity. We begin with a range of perspectives on the rise of what is often called "mass incarceration": how did our current system of criminal punishment take shape, and what role did race play in that process? Part Two takes up a series of case studies, including racial disparities in the administration of the death penalty, enforcement of the drug laws, and the regulation of police investigations. The third and final part of the seminar looks at national security policing: the development of a constitutional law governing the intersection of ethnicity, religion, and counter-terrorism, and the impact of counter-terrorism policy on domestic police practices.

Reading Fiction is designed to sharpen your skills as a critical reader. As we explore both short stories and novels focusing on the theme of "the city in literature," we will learn about the various elements that shape the way we read texts - structure, narrative voice, character development, novelistic experimentation, historical and political contexts and reader response.

This course explores the form, content, and historical context of various works of fiction specifically through the thematic lens of "dysfunctional families." We will focus primarily on questions pertaining to the structure, language, story, and characters of these fictional works.

Great works of fiction often take us to far-off places; they sometimes conduct us on journeys toward a deeper understanding of what's right next door. We'll read, discuss, and interpret a range of short and short-ish works: The reading list will be chosen from among such texts as "Gilgamesh," Homer's Odyssey (excerpts), Bunyan's The Pilgrim's Progress (excerpts), Swift's Gulliver's Travels, Mary Shelley's Frankenstein, Conrad's Heart of Darkness, Saleh's Season of Migration to the North, Woolf's To the Lighthouse, John Cheever's "The Swimmer," Coetzee's The Life and Times of Michael K, Irving's "Rip Van Winkle," Toni Morrison's Jazz, H. G. Wells' The Time Machine, Twain's The Adventures of Huckleberry Finn, Beckett's How It Is, Calvino's Invisible Cities, Forster's A Passage to India. As a CI-H class, this subject will involve substantial practice in argumentative writing and oral communication.

"Reading Poetry" has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions – as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture.

This course will examine the origins, structure and functions of the U.S. Intelligence Community and its relationship to national security policy. It will look in some detail at the key intelligence agencies and the functions they perform, including collection, analysis, counterintelligence and covert action. It will also look at some of the key intelligence missions, such as strategic warning, counterterrorism, counterproliferation, and counterinsurgency. Finally, it will examine some of the major controversies concerning intelligence, including its successes and failures, relationship to policymakers, congressional oversight, and the need for reform.

This course examines the politics of international economic relations. We begin with a discussion of the analytical "lenses" through which we can view the global economy. We then examine the politics of trade policy, multinational corporations, and international monetary and financial relations. We will also examine third-world development, communist transition, and the debate over "globalization." Finally we will explore the fight against terrorist financing and money laundering, the proper role of international financial institutions (including the IMF), and the impact of the global economy on the ability of governments to make policy within their own borders.

This course focuses on strategic and political implications of ongoing trends in global energy markets, particularly markets for crude oil and natural gas. The course examines the world's major oil and natural gas producing regions: the Middle East, the Caspian Region, Russia, Venezuela, and the North Sea. Producer-consumer relationships are considered for China, India, Japan, and the United States. United States foreign policy implications, especially with respect to China, are discussed.

This course covers the fundamentals of mathematical analysis: convergence of sequences and series, continuity, differentiability, Riemann integral, sequences and series of functions, uniformity, and the interchange of limit operations. It shows the utility of abstract concepts and teaches an understanding and construction of proofs. MIT students may choose to take one of three versions of Real Analysis; this version offers three additional units of credit for instruction and practice in written and oral presentation.

The three options for 18.100:

• Option A (18.100A) chooses less abstract definitions and proofs, and gives applications where possible.
• Option B (18.100B) is more demanding and for students with more mathematical maturity; it places more emphasis from the beginning on point-set topology and n-space, whereas Option A is concerned primarily with analysis on the real line, saving for the last weeks work in 2-space (the plane) and its point-set topology.
• Option C (18.100C) is a 15-unit variant of Option B, with further instruction and practice in written and oral communication. This fulfills the MIT CI requirement.

2010 marks the 400th anniversary of Galileo's astonishing sightings of features on the moon, stars, and moons around Jupiter that no one had seen before. Recreate these new ways of seeing and exploring from the materials and techniques Galileo had on hand, while you reflect on the times and works of Galileo. What was it like to improvise new ways of seeing and exploring from the materials and techniques on hand? What do we notice? What surprises us? How can we relate to past experience and ideas? What are we curious to research? How does our experimenting grow into our learning? Let your own curiosity drive your explorations.

2010 marks the 400th anniversary of Galileo's astonishing sightings of features on the moon, stars, and moons around Jupiter that no one had seen before. Recreate these new ways of seeing and exploring from the materials and techniques Galileo had on hand, while you reflect on the times and works of Galileo. What was it like to improvise new ways of seeing and exploring from the materials and techniques on hand? What do we notice? What surprises us? How can we relate to past experience and ideas? What are we curious to research? How does our experimenting grow into our learning? Let your own curiosity drive your explorations.

This course, which concentrates on special relativity, is normally taken by physics majors in their sophomore year. Topics include Einstein's postulates, the Lorentz transformation, relativistic effects and paradoxes, and applications involving electromagnetism and particle physics. This course also provides a brief introduction to some concepts of general relativity, including the principle of equivalence, the Schwartzschild metric and black holes, and the FRW metric and cosmology.

This course introduces the history of Islamic cultures through their most vibrant material signs: the religious architecture that spans fourteen centuries and three continents — Asia, Africa, and Europe. The course presents Islamic architecture both as a historical tradition and as a cultural catalyst that influenced and was influenced by the civilizations with which it came in contact.

The Renaissance has justly become both famous and notorious as an age of discovery, and its voyages took place in many realms. This semester, we will read several history making narratives of early modern travel: first-hand accounts of discovery, captivity, conquest, or cultural encounter. As Europeans came to acquire experience of unfamiliar places, literary texts of the period began to assimilate this experience by describing imagined voyages across real or fantastic landscapes. Finally, voyages of exploration served Renaissance writers as a metaphor: for intellectual inquiry, for spiritual development, or for the pursuit of love. Among the literary genres sampled this semester will be sonnets, plays, prose narratives, utopias, and chivalric romance. Authors and travellers will include Francis Petrarch, Amerigo Vespucci, Thomas More, Christopher Marlowe, Edmund Spenser, Hernán Cortés, John Donne, Francis Drake, Mary Rowlandson, Francis Bacon.