Courses tagged with "Information technology" (121)

4.125 is the third undergraduate design studio. This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This class was taught concurrently with 4.125B. Some of the assignments are the same, some are different, and the sites for the final project are different. But since they were taught in tandem, it would be useful to look at both together.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This class was taught concurrently with course 4.125A. Some of the assignments are the same, some are different, and the sites for the final project are different. But since they were taught in tandem, it would be useful to look at both together.

This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary.

This subject focuses on the objects, history, context, and critical discussion surrounding art since World War II. Because of the burgeoning increase in art production, the course is necessarily selective. We will trace major developments and movements in art up to the present, primarily from the US; but we will also be looking at art from Europe, Asia, Africa, Latin America, and the Middle East, as well as art "on the margins" — art that has been overlooked by the mainstream critical press, but may have a broad cultural base in its own community. We will ask what function art serves in its various cultures of origin, and why art has been such a lightning rod for political issues around the world.

In this course, we will study the architecture of Ancient Rome, beginning with its origins in the eighth century BC, and continuing through the fourth century AD with the move of the Roman capital to Constantinople.  The course of lectures and readings outlined below will familiarize you with the major building methods and styles used in Roman architecture.  In addition, interior decoration (including the very important topic of Roman wall painting) will be addressed.  By the end of the course, you will be able to identify some of the most important works of Roman architecture and discuss the historical and cultural conditions that informed their production. An important theme throughout the first half of the course is the relationship between Ancient Rome and Greek and Etruscan cultures, which were highly influential in the formation of a distinctive Roman architecture.  Understanding the role that Roman architecture played in the eastern and western Roman provinces is also significant to this course,…

This course provides students with a basic knowledge of structural analysis and design for buildings, bridges and other structures. The course emphasizes the historical development of structural form and the evolution of structural design knowledge, from Gothic cathedrals to long span suspension bridges. Students will investigate the behavior of structural systems and elements through design exercises, case studies, and load testing of models. Students will design structures using timber, masonry, steel, and concrete and will gain an appreciation of the importance of structural design today, with an emphasis on environmental impact of large scale construction.

This course provides students with a basic knowledge of structural analysis and design for buildings, bridges and other structures. The course emphasizes the historical development of structural form and the evolution of structural design knowledge, from Gothic cathedrals to long span suspension bridges. Students will investigate the behavior of structural systems and elements through design exercises, case studies, and load testing of models. Students will design structures using timber, masonry, steel, and concrete and will gain an appreciation of the importance of structural design today, with an emphasis on environmental impact of large scale construction.

This class offers a foundation in the visual art practice and its critical analysis for beginning architecture students. Emphasis is on long-range artistic development and its analogies to architectural thinking and practice. Students will learn to communicate ideas and experiences through various two-dimensional, and three-dimensional, and time-based media, including installations, performance and video. Lectures, visiting artist presentations, field trips, and readings supplement studio practice.

This course addresses advanced topics in structures, exterior envelopes and contemporary production technologies. It continues the exploration of structural elements and systems; expanding to include more complex determinant, indeterminate, long-span and high-rise systems. Some of the topics covered include reinforced concrete, steel and engineered wood design, and an introduction to tensile systems. The contemporary exterior envelope is discussed with an emphasis on the classification of systems, their performance attributes and advanced manufacturing technologies. This course is the second of two graduate structures courses, the first of which is 4.462. They offer an expanded version of the content presented in the undergraduate course, 4.440.

This course offers an introduction to the history, theory, and construction of basic structural systems as well as an introduction to energy issues in buildings. It emphasizes basic systematic and elemental behavior, principles of structural behavior, and analysis of individual structural elements and strategies for load carrying. The course also introduces fundamental energy topics including thermodynamics, psychrometrics, and comfort. It is a required class for M. Arch. students.

This course addresses advanced structures, exterior envelopes and contemporary production technologies. It continues the exploration of structural elements and systems, and expands to include more complex determinate, indeterminate, long-span and high-rise systems. It covers topics such as reinforced concrete, steel and engineered wood design, and provides an introduction to tensile systems. Lectures also address the contemporary exterior envelope with an emphasis on their performance attributes and advanced manufacturing technologies. This course is required of MArch students.

In this class, concepts of building technology and experimental methods are studied, in class and in lab assignments. Projects vary yearly and have included design and testing of strategies for daylighting, passive heating and cooling, and improved indoor air quality via natural ventilation. Experimental methods focus on measurement and analysis of thermally driven and wind-driven airflows, lighting intensity and glare, and heat flow and thermal storage. Experiments are conducted at model and full scale and are often motivated by ongoing field work in developing countries.

Las estructuras están implicadas en nuestras vidas: las plantas, los animales, casi todo lo que fabrica el ser humano, incluso nuestro propio cuerpo, deben soportar una serie de fuerzas sin romperse, y por lo tanto prácticamente cualquier elemento de nuestro entorno es una estructura de una clase u otra.

No cabe duda de que entender cómo se comportan las estructuras es fundamental para entender el mundo que nos rodea, para comprender la naturaleza y para juzgar mejor los progresos que ha hecho la humanidad a lo largo de la historia. Sin embargo, los ingenieros hemos fallado una y otra vez cuando hemos intentado explicar esta materia de forma que los no entendidos puedan entender su importancia.

Este curso pretende saltar esa brecha existente entre los expertos en cálculo de estructuras y los profanos utilizando un lenguaje asequible, empleando ejemplos históricos y proponiendo ensayos sencillos que pueden hacerse en casa. El curso abordará no sólo el problema de por qué los edificios y los puentes se caen sino también otras muchas cuestiones. ¿Por qué las ventanas de los aviones son redondas? ¿Por qué los gusanos tienen esa forma? ¿Por qué los murciélagos pueden volar dentro de un rosal sin rasgarse las alas? ¿Cómo funcionan las arterias? ¿Por qué las catedrales góticas pueden ser tan esbeltas? ¿Por qué hay construcciones romanas que siguen en pie 2000 años después? ¿Qué podemos aprender sobre los constructores de las diferentes estructuras que nos han legado nuestros antepasados?

Muchos contenidos de este curso pueden ser útiles para médicos, biólogos, artistas, historiadores y arqueólogos.

This course serves as an introduction to urban form and design, focusing on the physical, historical, and social form of cities. Selected cities are analyzed, drawn, and compared, to develop a working understanding of urban and architectural form. The development of map making and urban representation is discussed, and use of the computer is required. A special focus is placed on the historical development of the selected cities, especially mid-nineteenth and mid-twentieth century periods of expansion. Readings focus on urban design theory in the twentieth century and will be discussed during a weekly seminar on them. This is a methods class for S.M.Arch.S. students in Architecture and Urbanism.

Do you want to think about ways to help solve New Orleans' problems? CityScope is a project-based introduction to the contemporary city. "Problem solving in complex (urban) environments" is different than "solving complex problems." As a member of a team, you will learn to assess scenarios for the purpose of formulating social, economic and design strategies to provide humane and sustainable solutions. A visit to New Orleans is planned for spring break 2007.

This class introduces design as a computational enterprise in which rules are developed to compose and describe architectural and other designs. The class covers topics such as shapes, shape arithmetic, symmetry, spatial relations, shape computations, and shape grammars. It focuses on the application of shape grammars in creative design, and teaches shape grammar fundamentals through in-class, hands-on exercises with abstract shape grammars. The class discusses issues related to practical applications of shape grammars.

This class introduces design as a computational enterprise in which rules are developed to compose and describe architectural and other designs. The class covers topics such as shapes, shape arithmetic, symmetry, spatial relations, shape computations, and shape grammars. It focuses on the application of shape grammars in creative design, and teaches shape grammar fundamentals through in-class, hands-on exercises with abstract shape grammars. The class discusses issues related to practical applications of shape grammars.

The course analyzed major contemporary architectural ideas and projects in the context of globalization. We traced the development of architecture since the 1990s by discussing some of the most important topics and influential architects of our time.

This class, required of all Master of Architecture students, presents a critical review of works, theories, and polemics in architecture in the aftermath of World War II. The aim is to present a historical understanding of the period, and to develop a meaningful framework to assess contemporary issues in architecture. Special attention will be paid to historiographic questions of how architects construe the terms of their "present."