Courses tagged with "KIx" (159)

This course explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Rembrandt and Molière. The class compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing.

What has been said of Moby-Dick—that it's the greatest novel no one ever reads—could just as well be said of any number of American "classics" like The Scarlet Letter, Uncle Tom's Cabin, or The Adventures of Huckleberry Finn. This course reconsiders a small number of nineteenth-century American novels by presenting each in a surprising context.

This course investigates relationships between two media, film and literature, studying works linked across the two media by genre, topic, and style. It aims to sharpen appreciation of major works of cinema and of literary narrative. The course explores how artworks challenge and cross cultural, political and aesthetic boundaries. It includes some attention to theory of narrative. Films to be studied include works by Akira Kurosawa, John Ford, Francis Ford Coppolla, Clint Eastwood, Orson Welles, Billy Wilder, and Federico Fellini, among others. Literary works include texts by Aeschylus, Sophocles, Shakespeare, Cervantes, Honoré de Balzac, Henry James and F. Scott Fitzgerald.

How do literature, philosophy, film and other arts respond to the profound changes in world view and lifestyle that mark the twentieth century? This course considers a broad range of works from different countries, different media, and different genres, in exploring the transition to a decentered "Einsteinian" universe.

William Butler Yeats occupies a dominant position in the lives and work of the Irish poets who followed him. We will explore some of that poetry, and consider how later poets, especially female poets, tried to come to grips with, or escape from, that dominance. As a seminar, the subject will place special emphasis on student involvement and control. I will ask you to submit one ten-twelve page essay, two shorter (five page) essays, and to accept the role of "leadoff person," perhaps more than once, That role will demand that you choose from among the assigned readings for that session the poem we should focus upon, and to offer either a provocative articulation of what the poem is about, or a provocative question which the poem confronts, and which we should grapple with, as well.

This course explores the properties of non-sequential, multi-linear, and interactive forms of narratives as they have evolved from print to digital media. Works covered in this course range from the Talmud, classics of non-linear novels, experimental literature, early sound and film experiments to recent multi-linear and interactive films and games. The study of the structural properties of narratives that experiment with digression, multiple points of view, disruptions of time, space, and of storyline is complemented by theoretical texts about authorship/readership, plot/story, properties of digital media and hypertext. Questions that will be addressed in this course include: How can we define ‘non-sequentiality/multi-linearity’, ‘interactivity’, ‘narrative’. To what extend are these aspects determined by the text, the reader, the digital format? What are the roles of the reader and the author? What kinds of narratives are especially suited for a non-linear/interactive format? Are there stories that can only be told in a digital format? What can we learn from early non-digital examples of non-linear and interactive story telling?

This course covers works by major American novelists, beginning with the late 18th century and concluding with a contemporary novelist. The class places major emphasis on reading novels as literary texts, but attention is paid to historical, intellectual, and political contexts as well. The syllabus varies from term to term, but many of the following writers are represented: Rowson, Hawthorne, Melville, Twain, Wharton, James, and Toni Morrison. Previously taught topics include The American Revolution and Makeovers (i.e. adaptations and reinterpretation of novels traditionally considered as American "Classics"). May be repeated for credit with instructor's permission so long as the content differs.

What is the American Renaissance? How did Dartmouth help foster the formation of the American Renaissance and its reevaluation and reinvention in the twentieth? Why should we, as twenty-first century readers, concern ourselves with this literature?

Join a hybrid community of learners, both online and in residence at Dartmouth College, as we discover how to discern the historical turning points involved in the production and transmission of American Renaissance writings. We will conceptualize the role historical and affective turning points continue to play in the selection, interpretation and valuation of these writings.

Together we will propose continuities and discontinuities between these historical literary works and the present. Along the way we will construct global and temporal mappings between a set of seemingly disparate locations, myths, and traditions.

Join us in a discussion of the work of Nathaniel Hawthorne, Harriet Beecher Stowe, Herman Melville, Frederick Douglass, Ralph Waldo Emerson, Walt Whitman, and Mark Twain as we explore literary, political and historical context, their desire to create a distinctively national literature, and the ongoing controversy over the local, national, and transnational significance of this literature.

Explore what it means to be human today by studying what it meant to be a hero in ancient Greek times.

In this introduction to ancient Greek culture and literature, learners will experience, in English translation, some of the most beautiful works of ancient Greek literature and song-making spanning over a thousand years from the 8th century BCE through the 3rd century CE: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; dialogues of Plato, and On Heroes by Philostratus. All of the resources are free and designed to be equally accessible and transformative for a wide audience.

You will gain access to a supportive learning community led by Professor Gregory Nagy and his Board of Readers, who model techniques for “reading out” of ancient texts. This approach allows readers with little or even no experience in the subject matter to begin seeing this literature as an exquisite, perfected system of communication.

No previous knowledge of Greek history, literature, or language is required. This is a project for students of any age, culture, and geographic location, and its profoundly humanistic message can be easily received without previous acquaintance with Western Classical literature.

1. Honor code statement 

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

2. Research Statement 

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

3. Nondiscrimination/Anti-harassment Statement

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is subjected to discrimination or harassment in our program. Furthermore, no member of the community shall be excluded from participation in or denied the benefits of our program due to discriminatory practices or policies. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. Participants who violate the policies preventing discrimination and harassment will face corrective action, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Poetry lives in any reader, not necessarily in performance by the poet or a trained actor. The pleasure of actually saying a poem, or even saying it in your imagination—your mind’s ear—is essential. That is a central idea of “The Art of Poetry,” well demonstrated by the videos at favoritepoem.org: the photographer saying Sylvia Plath’s “Nick and the Candlestick,” the high school student saying Langston Hughes’ “Minstrel Man.” Those readers base what they say about each poem upon their experience of saying it.

The course is demanding, and based on a certain kind of intense reading, requiring prolonged, thorough— in fact, repeated—attention to specific poems.

The focus will be on elements of the art such as poetry’s historical relation to courtship; techniques of sound in free verse; poetry and difficulty; kidding and tribute—with only incidental attention to “schools,” jargons, categories, and coteries.

Learners are encouraged to think truly, carefully and passionately about what the poem says, along with how the poem feels in one’s own, actual or imagined voice. As Robert Pinsky says, in the Preface to Singing School: “this anthology will succeed if it encourages the reader to emulate it by replacing it . . . create your own anthology.” In a comparable way, this course hopes to inspire a lifelong study of poetry.

"The Art of the Probable" addresses the history of scientific ideas, in particular the emergence and development of mathematical probability. But it is neither meant to be a history of the exact sciences per se nor an annex to, say, the Course 6 curriculum in probability and statistics. Rather, our objective is to focus on the formal, thematic, and rhetorical features that imaginative literature shares with texts in the history of probability. These shared issues include (but are not limited to): the attempt to quantify or otherwise explain the presence of chance, risk, and contingency in everyday life; the deduction of causes for phenomena that are knowable only in their effects; and, above all, the question of what it means to think and act rationally in an uncertain world.

Our course therefore aims to broaden students' appreciation for and understanding of how literature interacts with – both reflecting upon and contributing to – the scientific understanding of the world. We are just as centrally committed to encouraging students to regard imaginative literature as a unique contribution to knowledge in its own right, and to see literary works of art as objects that demand and richly repay close critical analysis. It is our hope that the course will serve students well if they elect to pursue further work in Literature or other discipline in SHASS, and also enrich or complement their understanding of probability and statistics in other scientific and engineering subjects they elect to take.

This course is an introduction to major books from both the Hebrew Bible and the New Testament. Particular attention has been given to literary techniques, issues resulting from translation from the original Hebrew and Greek, and the different historical periods that produced and are reflected in the Bible. Investigation of the Bible as influence in later narrative, philosophic, and artistic traditions.

Do you love printed paper and wonder how much longer it will survive in the age of ebooks? Are you curious about how the mass-produced modern book emerged in the first place?  Come behind the scenes in Harvard’s libraries to explore the look, feel and even smell of nineteenth-century British and American books in this module of The Book: Histories Across Time and Space.

In 19th-century Britain and America, schooling expanded, paper cheapened, and new technologies allowed print to reach wider audiences than ever before.  After the rare and beautiful manuscripts and books showcased by earlier modules, the mass-produced, disposable objects that survive from the nineteenth century bear witness to the rise of the reading public.

This module investigates what scholars know about nineteenth-century reading, as well as how they know it.

This module’s six sections guide you through underlined, inscribed, defaced and repaired books in Harvard’s collections:

1. Name That Book
Find out what you can tell about a book when you’re blindfolded.

2. Handheld Books and Mobile Readers
What book did one soldier carry to Civil War battlefields in his pocket? (Hint: it’s not what you think.)

3. The Pen and the Needle
Did 19^th-century girls have to choose between sewing and reading?  The holes pricked in one book suggest they did both at once.

4. Leaving your Mark
Luckily for future historians, these children didn’t listen when people told them not to write in their books.

5. Detective Work
Try out some tools that build on what you’ve learned about books at Harvard to discover the stories hidden in your local library.

6. Over to You
Your chance to share what you have found in the books around you.

Join us, and discover how people in the first information age read, underlined, and repaired the pages that they treasured. 

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

When we think of liturgy today, we imagine short, formal, congregational events happening periodically within the confines of churches. Medieval liturgy, however, took up many hours of every day, filled the city's largest meeting halls, and even spilled onto the streets. At the center of the medieval liturgy were the books we will study in this course.

In this module of The Book: Histories Across Time and Space, we’ll explore and explain the beautiful service books of the medieval church. No prior knowledge of liturgy or Latin is required, but there will be a lot of both, along with music.

The medieval services consisted of a complex system of cycles, and the liturgical books correspond to the various functions of the people who used them: Laypersons, nuns and monks, readers, singers, priests, and bishops.

We will explore and examine these precious objects using materials from Harvard’s collections. Close examination of various types of books will help to explain the complex and collaborative nature of medieval worship. Ultimately, we will learn how these beautifully adorned books  represent the importance of liturgy as an essential function of society in the Middle Ages.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

As books “go digital,” we can appreciate what is gained in terms of convenience, accessibility and interconnectedness. However, we should also consider what is lost as texts transition to a digital sphere.

This module of The Book: Histories Across Time and Space seeks to re-introduce learners to the codex – a handwritten and hand-constructed book - as a three-dimensional object whose characteristics produce meaning in the experience of the reader.

This module is designed to walk you through the process of making a medieval manuscript. Using a wide variety of examples from the collections of Harvard’s Houghton Library, it will familiarize you with basic terms and concepts and give you a “feel” for the shapes, sizes, formats, materials and considerations of craft that went into the making of the book as we know it.

Throughout the Middle Ages there existed an intimate relationship between making and meaning. Codices were tactile as well as visual objects designed to engage multiple senses. In the illuminated manuscript, it is often impossible to distinguish neatly between text and image; rather, letters assume imagistic forms and images take the form of letters.

Bookmakers were sensitive to the interplay of materials, from the parchment of the pages to the wooden boards, designed to protect the contents. Each of these elements conditioned a reader’s interaction with the book. Bookmaking required a significant material investment. The production process was laborious and lengthy, involving many separate stages and craftsmen.

Books participated in a wide range of ritual, liturgical, devotional, educational and practical contexts, each of which in turn conditioned the presentation and reception of both their form and content.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Medieval Europe has preserved enormous quantities of books and documents—many millions of pages, in fact—written in Latin and other languages. However, only a tiny percentage of these texts have been edited and published. To gain access to the rest, you need to learn the art and science of reading medieval handwriting,

This module of The Book: Histories Across Time and Space introduces students to the world of medieval paleography, the science of reading old handwriting. This particular module focuses on notarial handwriting from the city of Marseille in the 14th and 15th centuries. The module features household inventories, which identify some of the fascinating objects found in people’s houses. Assessments and quizzes will allow you to track your progress as you move from letter-group to letter-group. In addition to learning the handwriting, we will take special care to explore some of the many abbreviations and other elements of the secular registers of the later Middle Ages.

Some knowledge of Latin or another Romance Language will be very helpful for understanding the texts you will read, but students without these language skills will still enjoy this chance to explore medieval handiwork.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Thousands upon thousands of manuscripts written in Latin and other languages remain from the 12th century, when Western Europe saw an unprecedented increase in manuscript production. Of these manuscripts from the middle ages, only a small percentage have been identified, much less edited and published. To explore these fascinating texts, you need to learn the art and science of reading medieval handwriting.

This module of The Book: Histories Across Space and Time introduces students to medieval paleography, the science of reading old handwriting, with a focus on the era of the 12th century. By studying a representative hand in depth, you will learn to read 12th century Transitional Gothic script and decipher the abbreviations that set the pattern of writing for the following centuries before print. We will work with selected manuscripts from Harvard’s Houghton library and enter into the cultural world of the 12th century monasteries and schools. Assessments and quizzes will allow you to track your progress as you move through letter forms and abbreviations to read whole blocks of text.

Some knowledge of Latin will be very helpful for understanding the texts you will read, but students without the necessary language skills will still enjoy this chance to explore 12th century hands.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

Printing, or the capacity to reproduce text and image mechanically, has rightly been hailed as a technology with far-reaching impact. But the technology takes more than one form and originated in more than one historical context.

In this module of The Book: Histories Across Space and Time, you will learn how early printed books in mid-fifteenth century Europe were first modeled on medieval manuscripts, but soon developed new conventions that remain familiar to us today. This module also explores printing in East Asia, by wood block and movable type, and the late dominance of manuscript production in the Islamic world. 

In the first units of this module we compare and contrast manuscripts and printed books produced mainly in Europe from 1470-1700, looking at continuities and differences in layout, format, and the methods, materials, and economics of production. We also discuss examples of illustrated books and of handwritten annotations in books, including marginal annotations by readers and the marks of censors.

Two shorter units in this module focus on printing in East Asia, especially China, to highlight the features of woodblock printing which was common there, and on the Middle East, especially the Ottoman context, where a vibrant manuscript culture remained dominant until 1800. Taken together, this module gives an overview of three different contexts and technologies of book production before 1800.

Each unit features rare manuscripts and printed books in the Harvard Libraries, which viewers can investigate in more depth within the courseware and on their own.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

This module of The Book: Histories Across Time and Space focuses on the physical qualities of books, the role of books in 17th and 18th century France, and the emergence of literature as a modern form of culture.

We will focus on the importance of books as physical objects and the raw material of literature--namely, paper.  By considering the nature of paper and how it was made during the early modern period--from Gutenberg's time to the early nineteenth century--we can begin to understand the character of books and the way they worked.

This module also examines how books fit into the legal and political system of France under the Old Regime during the seventeenth and eighteenth centuries, when the French set standards imitated throughout Europe.  Before modern copyright, legal books had privileges, granted by the king, which provided a guarantee of quality as well as certification of   orthodoxy.  To qualify for a privilege, books had to be approved by censors.  Uncensored books, including most of the works of the Enlightenment, were usually produced outside France and circulated in the kingdom through a vast underground distribution system. 

In addition, this module addresses the emergence of literature as a modern form of culture, which can be studied best in eighteenth-century England.  The first copyright law (1710), a high rate of literacy, a booming consumer market, a precocious periodical industry, and entrepreneurial publishing concentrated in London led to the development of a new kind of author--the independent writer. Samuel Johnson epitomized this new phenomenon. This module will allow you to get a close look at him and everything he represented by providing access to the Hyde Collection of Johnson's books and papers in Houghton Library at Harvard.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.

In Medieval Europe the Book of Hours, so called because its core component consists of the Hours of the Virgin, became the prayer book of choice for worshippers prosperous enough to commission or purchase such a book.

Although its contents were of monastic origin, literate lay readers were the most likely to use books of hours, as served not only as a prayer book, but also as a way of keeping track of the calendar, often doubling as a family chronicle.

Books of hours provide insight into broad patterns of piety marking the High and later Middle Ages, and through their choice of texts, images and added materials, inform us about the interior life and aspirations of everyone from kings and queens and lords and ladies to monks and nuns and, ordinary members of the patrician class, merchants and others.

In this course, we will explore how books of hours provide the closest thing we have to a comprehensive and continuous record of the development of painting across most of western Europe from the later thirteenth through the early sixteenth century.

“The Book of Hours” is one module of a series of courses called “The Book: Histories Across Time and Space.” You may take this course on its own, or with the other courses of the series.

HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code, which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact harvardx@harvard.edu and/or report your experience through the edX contact form.